A disclaimer
first. When I say `music’, I refer to Indian, ie Hindi film music up to the 70’s - and the other `light’ music that comprises ghazals, geet and the stuff that Coke Studio comes
up with. So if you’re a purist, and sneer at this form of escapist
entertainment, this post is not for you.
Mehdi Hasan’s
death came as no surprise – he should have gone ten years ago. No human,
certainly not one as great as this maestro, should have had to suffer so much.
Watching him in obvious pain and misery, lying on a hospital bed with tears
rolling down his cheeks was heart wrenching in the extreme.
But it brought
to an end an era. Mehdi Hasan stood alone. Not Ghulam Ali, not Jagjit Singh nor
anyone that followed came anywhere close. Just as Sidney Poitier paved the way
for the likes of Denzel Washington and Morgan Freeman, so too Mehdi Hasan was the pioneer for a host of singers to
follow. But none could match his mastery
of the medium, and certainly no one had the mellifluous if somewhat gravelly
voice that was simply a gift of God!
The worst
thing that partition did to us was that it robbed us of so much of the sheer joy
that only music can bring. The least that Nehru and Patel could have done at
the bargaining table was to insist of Jinnah that the only pre-condition they had
was that Nur Jehan would remain in India! Sadly, the queen of melody migrated
to Pakistan, and we lost out. An apocryphal story that did the rounds in the 70’s
had Gen Zia exclaiming “You can have all of Kashmir, just give us Lata
Mangeshkar!” Lata is no doubt the
nightingale of India, and Asha is anytime as good – but Nur Jehan was Nur Jehan
- the malika-e-tarranum!
Our misfortune
was worse confounded by the cussedness of the Indian government that simply
refused to play any music from across the border on All India Radio! The only occasion
we actually heard them was when they performed in India. But for every Abida
Parveen who managed to come across, there were so many Tina Sahnis, Naiyarra
Nurs and Tahira Syeds of whom we remained unaware! Just listen to Malika Pukhraj and her daughter
Tahira Syed sing Hafeez Jalandhari’s `Abhi toh main jawan hun’ in tandem, and
you’re transported into a wonderland that no government has the right to deny
you.
Indian film
music of that era also gave us such sublime poetry – from the sheer genius of
Sahir Ludhianvi to the magical moods of Kaifi Azmi – to the Hindi greats
Shailendra and Neeraj. But what of Ahmed Faraz (if he had only written `Ranjish
hi sahi’ and nothing else, his place in the hall of fame would still be
guaranteed) and the maverick Ibn-e-Insha (Inshaji, utho ab kooch karo), sigh..
So when the lead
guitarist of the Pakistani rock band `Strings’ plays `Saare jahaan se achcha
Hindustan hamara’ on his guitar, or Gulzar writes
Ankhon
ko koi visa nahin lagta
Sapnon
ki sarhad koi nahin
Bandh
aankhon se chala jata hun
Roz
milne Mehdi Hasan se..
you can just
hold back a tear and lament the wealth, the khazana that you have lost..
